The film marks 50 years since riots erupted across Northern Ireland, widely seen as the beginning of the thirty-year conflict known as The Troubles. Mark Cousins – who left Belfast at 18 – returns to his hometown to reflect on how the place and its history have been used and occasionally abused by cinema. He traces how the legacy of division has impacted on the nation’s cinematic imagination; and, in a city that once had one of the highest rates of movie-going in the UK, he scrambles around the ruins of Belfast’s once-grand cinemas.

Alex Godman, the English-raised son of Russian mafia exiles, has spent his life trying to escape the shadow of their past, building his own legitimate business and forging a life with his girlfriend Rebecca. But when a murder forces his family's past to return to threaten them, Alex is drawn into the criminal underworld and must confront his values to protect those he loves.

Yakuza boss Furuya leans more and more on his protege Takao Shoji, though Shoji has become romantically involved with Furuya's mistress, Natsue. Furuya himself has fallen in love, with a nurse after his recent hospital stay. As the gang grows more jealous of the favoritism Furuya shows Shoji, they decide to reveal Shoji's relationship with Natsue. But Furuya's affection for Shoji cannot be easily destroyed, even in the gang war that erupts.

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The film consists largely of a series of interviews with female filmmakers from several different countries and filmmaking eras. Some, such as Agnès Varda and Catherine Breillat (both from France), have been making films for decades in a conscious effort to provide an alternative to the male filmmaking model; others, such as Moufida Tlatli (Tunisia) and Carine Adler (England), are relative newcomers to directing, and their approaches seem more personal and less political. The film as a whole manages to cover some important topics in the feminist debate about film -- how does one construct a female gaze, how can one film nude bodies without objectifying the actors (of either sex), what constitutes a strong female role -- while also making it clear that “women’s film” comprises as many different approaches to filmmaking as there are female filmmakers.

The story of a mother's 15-year struggle to clear her son of a murder he did not commit. It is also the story of a major crimes investigator who always suspected a relative of being involved in the case, but never came forward with that information

When Littlefoot grandfather falls ill, The dinosaurs only way to cure him is a flower in the forbidding land of mist which hold unexpecting perils and danger.

Bun-Yi is sold to a bar for her widowed mother and young sister. There, she meets Dal-Jung and through his arrangement, she gets married into the rural rich Choi family as the wife of the youngest son. She lives as if she were housemaid looking after her mentally deficient husband Young-Ku, parents-in-law, and sister-in-law, and gives birth to a precious son. But she is driven out of the house because of mother-in-law and sister-in-law's evil plot. Going around from restaurants to restaurants, she becomes a owner of a restaurant and lives helping the poor children. Later, she comes to meet Young-Ku working as a shoe shining man in Busan. Mother-in-law and sister-in-law regret their faults in past and Bun-Yi regains their old house. Thus, all of them return to their hometown and live a happy life.

Bun-Yi is sold to a bar for her widowed mother and young sister. There, she meets Dal-Jung and through his arrangement, she gets married into the rural rich Choi family as the wife of the youngest son. She lives as if she were housemaid looking after her mentally deficient husband Young-Ku, parents-in-law, and sister-in-law, and gives birth to a precious son. But she is driven out of the house because of mother-in-law and sister-in-law's evil plot. Going around from restaurants to restaurants, she becomes a owner of a restaurant and lives helping the poor children. Later, she comes to meet Young-Ku working as a shoe shining man in Busan. Mother-in-law and sister-in-law regret their faults in past and Bun-Yi regains their old house. Thus, all of them return to their hometown and live a happy life.

A young Chinese-American cop unravels after accidentally shooting an innocent African-American man through a wall.